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John Boy's Courage

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You really can't help but fall for John Boy's Courage.

First comes the acoustic guitar, simply strummed, then joined by gently pulsating drums and bass. The words begin—poetic, thoughtful, pointed—delivered with strength and passion. When the lead guitar hooks you, there's no turning back.

John Boy's Courage is the musical persona of singer-songwriter Todd Sarvies, and can be represented through a variety of arrangements onstage: solo, duo, trio, even full-on rock band. John Boy's Courage has, at its heart, emotionally honest adult alternative pop-rock songs; the name pays homage to the strength we all must summon in living day-to-day.

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Skidmore Fountain

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Skidmore Fountain is an indie rock band that feels both classic and unconventional, comfortable and disquieting. Five-string electric cello (its fifth string acts as bass), guitar, drums, and vocals make up the Brooklyn-based band. Multi-Grammy award-winning producer Ken Lewis (John Legend, David Byrne, Beastie Boys) produced the band's 11-track album, Break (Triple R Records). With Break, what you'll get is a complex, textural and certainly modern sound. "A lot of innovative and enjoyable music here," Music Morsels wrote of the disc. "Brooklyn's Skidmore Fountain sprays out poppy streams of alt-rock with surprising dexterity," proclaimed CMJ New Music Report. "The gobs of catchy choruses seem destined for crowd shout-alongs."

 
Tell Tale Heart

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You know that feeling of release and exhilaration and jubilation you get from shouting your beliefs and hopes and dreams from the top of a cliff into the sunset? The wind lifts your words and carries them, dispersing them, disseminating them so they can grow, thrive, be.

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J. Hall/Theta Rhythm

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Before choosing Theta Rhythm, a client should know that J. Hall has certain...issues.

In another vocation, the cocktail of nervous energy and obsessiveness that permeates J.'s daily existence would almost certainly get him fired; in the studio, it makes him perfectly suited to the manipulation (seducing? strangling?) of disparate tracks into that elusive brass ring known as a real, honest-to-goodness "record." In front of the console, fidgeting turns to tirelessness; neurosis turns to focus. That troublesome kick drum gets what's coming to it. The vocal sits like a good boy. Slowly, you stop noticing tracks and start noticing the song.

 

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